DIANA CÉCILE HULTON

The Artist

Selected Publications by Diana Hulton

  • Hulton, Diana Cécile. “From 'Poem in October' to 'Parables of Light'”. Diana Hulton: Parables of Light. London: Art First 2003
  • Kenton, Diana C. “Davydd Myburgh” South African Arts Calendar. Pretoria 1992
  • -------. “Art and Apartheid in the Eighties: Trends or Turning Points?” Rixaxa. London: ANC Cultural Journal, Issue 1 1990 [This essay has been reproduced by DISA (Digital Innovation South Africa) and may be viewed at www.disa.ukzn.ac.za]
  • -------. “Drama – in the Ranks, The SA Defence Force on Stage”, 'RESISTER', The Journal of the Committee on South African War Resistance, no. 48, pp10-15, Blackrose Press, London, Feb/Mar 1987
  • -------. “Feminist Issues and Art”. Women Artists in South Africa. Eds. L. McClelland and L. Alexander. Cape Town: South African National Gallery 1985
  • -------. “Peter Hide and contemporary trends in British Sculpture”. South African National Gallery, Quarterly Bulletin, Cape Town: SANG, 1984
  • --------. “The real meaning of FUBA Collection”, Sunday Tribune, 1983
  • --------. “Republic Festival Arts Exhibition”, Work Selected by Edward Lucie-Smith, Ocean Terminal Building, Durban. The Daily News, 1981
  • --------. “A reminder of suffering”, Paul Sibisi Exhibition, S.A. Institute of Race Relations, Durban. The Daily News. 1981
  • --------. “Souvenirs for the memory” The Art of Thomas Bowler in the Collection of Metropolitan Homes Trust Life. Durban Art Gallery. The Daily News, 1981
  • --------. “Wide range of Israeli Art” Trends in Israeli Art, Durban Art Gallery. The Daily News, 1981
  • --------. “Legacy of the Incas” Oro del Peru, Durban Art Gallery. The Daily News, 1981
  • --------. “Japanese colour prints” from the South African National Gallery collection. Durban Art Gallery. The Daily News, 1979
  • --------. “Blake exhibition – Durban Art Gallery”. The Daily News, 1978
  • --------. “Shange and Nkosi”. Stable Gallery, Durban. The Daily News, 1978
  • --------. “Jim Ritchie, sculptor”. Ritchie. New York 1975

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